In partnership with the Grotowski Institute, Arden 2 and UCLA Live!, Teatr Zar return to Los Angeles with the premiere of Triptych, the first part of which was shown at UCLA 2 years ago (Gospels of Childhood). viaCorpora is honored to be organizing 4 days of workshops with this special ensemble of unique performers.While Teatr Zar's work incorporates a coordinated physical and polyphonic vocal and rhythmic approach to performer training, the workshops will be separated in order to allow more concentrated time on one particular path. While we encourage participants to experience both workshops, we believe this separation will allow those participants who only wish to challenge their comfort in their "specialized" medium sufficient access.
Wakening the Listening Body
practical meeting led by Matej Matejka
The meetings aim to explore a specific line of personal and individual expression of the performer. It addresses practical questions present in our work in theatre, a search for the process of the performer that retains the essential expression and avoids unnecessary aesthetics.
The work evolves from the centralizing of energy in the body, awakening the center of the body and grounding the energy of the performer. Special attention is place on isolation techniques as well as improving subtle expression, or inner-articulations, of the body.
During the work we address the following aspects:
*Sensitivity in the work with the partner. Exploring different qualities of physical contact. Induction between partners.
*Using stimulus - needs, inner impulses or reflections from everyday like - as a source for improvisation and the creation of physical scores. awakening an Intuitive body.
*Searching for forms of expression through the nature of one's own personality.
The session is targeted towards practitioners with an interest and experience in dance or theatre. This challenge requires serious focus and precision from all engaged in the work. It is open to those who are willing to search in less common fields of physical and vocal expression.
Into The Sound Led by Jaroslaw Fret and Teatr Zar
The work session will be focused on the natural harmonics of the voice expressed through rhythmical breathing patterns and connected to actions based on physical contact between the singers. Participants of the session will be introduced to the following elements: Svanetian harmonies (from the high Caucasus); Georgian Liturgical songs (Gelati tradition); cries/calls. The work will explore rhythm / breath-rhythm (based on Balkan rhythmical patterns), co-ordination and exploration of natural rhythmical tendencies through improvisation, exploring the breath through physical impulses and acrobatic elements. A separate part of the work session will be a practical reconnaissance into the forms of Kyrie Eleison, as complex scores of breath, belonging to different traditions.
Date:Monday-Thursday, 16-19 November 2009 Time: 11-2 (Wakening the listening body), 3-7 (Into the sound) Price: One workshop: $270.00-Before 15 Oct, After-$300 Both Workshops: $500 To pay: http://www.brownpapertickets.com/producer/6719 Notes: 1) There is an application for this workshop as space is extremely limited, please contact firstname.lastname@example.org 2)Times may be subject to change. If you are interested in these workshops, but cannot make the times, please fill out an application form and tell us the times you are available. 3)These workshops will most likely be held at a space downtown rather than our Hollywood building. Please factor that in.
Jaroslaw Fret: Director of the Grotowski Institute, and a founder and leader of Teatr ZAR. Beginning in 1999, together with Kamila Klamut, he organised several expeditions to Georgia, Armenia, Greece and Iran, conducting research into the oldest forms of religious music of Eastern Christianity. This research became the point of departure for the performance Gospels of Childhood, which has since been presented in Poland, the Czech Republic, Egypt, Greece, Italy, Slovakia, Hungary, the United Kingdom and the United States. He has conducted work sessions in various countries including Germany, the United Kingdom, Italy and Brazil. He produced the world’s first documentary film devoted to the Mandeans – the only ancient Gnostic group remaining in the south of Iran. He graduated in Polish philology from the University of Wroclaw in 1994. In 1994–1995 he collaborated with the Centre for Theatre Practices 'Gardzienice'. Fret was co-editor of a special annual bound volume of Pamietnik Teatralny, dedicated to Jerzy Grotowski (Warsaw, 2000-2001). He worked in the Centre for the Study of Jerzy Grotowski’s Work and for Cultural and Theatrical Research from 1995, assuming the director’s function in February 2004. He has been director of the Grotowski Institute since 29th December 2006. Teatr Zar: The ensemble of the Teatr ZAR was initially formed through almost three years of expeditions and rehearsals concerning the project Gospels of Childhood. Members were gathered for the project from training sessions at the Grotowski Centre and their work was directed towards the long-term development of actors’ skills, as well as towards discovering new forms of expression, based mainly on acting through song. Therefore, the character of the project proved to be musicological, but was not so much dedicated to conventional ethno-musicological research as to an attempt to recompose and reshape the musical material acquired during the expeditions.
Matej Matejka: Matej is originally from Slovakia. He has been a collaborator of The Grotowski Institute since 2005 where he is engaged in research of physical expression in the theatre. He is an actor with Teatr ZAR and one of the leaders of physical training for the company. He performs in Gospels of Childhood, Cesarean Section and is currently working on Anhelli, Calling. He has performed with the Theatre Studio Prague, and Farm in the Cave on Dark Love Sonnets, Journey to the Station and SCLAVI / The Song of an Emigrant. He is has also recently been collaborating with choreographer and dancer Jaro Vinarsky.
viaCorpora is honored to be co-producing with Ilana K Turner the first Breathing Performerworkshops in Los Angeles. Christopher Sivertsen was last in Los Angeles performing with the Song of the Goat theater at UCLA and assisted Grzegorz Bral in their one-day workshop in 2005. He now returns to Los Angeles with his unique approach to performer training.
The Breathing Performerworkshop is an opportunity to learn from Christopher Sivertsen's rich experience in laboratory theatre practice and his own personal research into the performer's craft. He draws upon a broad range of inspirations including; folklore, hip-hop, acrobatics, rhythms, traditional, devotional and secular music and stories.
Using specific exercises that are designed to open your body and develop your trust in your own physical and imaginative creativity, the participants will be guided into their own unknown territory.
You will choose any classical monologue you know very well and using its text, a score will be created consisting of music, physicality and movement. Assisted by the other participants as the ensemble or the chorus of characters in the play, you become the narrator, the puppeteer, the conductor, the master of ceremony and the protagonist.
Date: Saturday and Sunday, 24 -25 October 2009 Time:12 -5pm Price:$200 Before 5 Oct, After $240 Note: There is an application form for this workshop. Contact email@example.com
As a performer, Christopher was a member of both Theatre Slavain Sweden and Teatr Piesn Kozla (Song of the Goat) in Poland. Since 2006, Christopher has been collaborating and working with a many companies and institutions, such as RADA in London, the Diaspora project and RSAMD in Glasgow and Georgetown University in Washington. Christopher is the artistic director of the Awake project, a group of international theatre artists brought together to create a performance, and to lead large scale youth exchange projects in Europe. The Awake project is also the Swedish representative for the UNESCO year of Grotowski.
Fields of Play:seed and harvest Lecture w/Q&A, 4 day workshop, Evening of Sowings
Building upon two previous workshops at viaCorpora, Jef Johnson and Olya Petrakova have devised an extended workshop and opening into the larger community by orchestrating a 4 day workshop in creative techniques that begins with Johnson giving a FREE lecture with Q&A and ends with a Sowing of the work done by the participants at ArtWorks Theatre!
“The natural flow of all things is driven by restraint and passage.” How do you create new material?
Do you sit down and try to think it up?
Do you get bogged down worrying about music, props, character?
Do you think “if I have the magic idea the rest will be easy?”
Do you tell yourself “all I need is the seed?”
You are the seed! The most immediate and truthful inspiration comes from the natural flow of all things, as you experience it. Come discover practical tools for navigating the landscape of your fields of play.
This is a practical workshop series which will focus on strategies for identifying and developing ideas for performance. Three evenings of workshop will culminate in a public sharing, "Seeds"!
This special workshop series will kick off with a FREE LECTURE, followed by a Q&A. Jef will share experiences, discuss performance theory, clown and the power of theatre.
FREE Lecture: Tuesday, 6 October, 7:30PM Workshop: Wednesday- Friday, 7-9 October , 7-10pm (for those participating in the Sowing, we will also meet Saturday 10 Oct 1-4pm) Price:$120 before Sept 26; After - $180! Tickets:http://www.brownpapertickets.com/event/83214 Evening of Sowing:Saturday, 10 October, 8PM For guests:$5.00 suggested contribution.
J e f J o h n s o n is a principal in the Broadway and international touring company of Slava’s Snowshow. He has worked with Cirque du Soleil as clown, special artistic consultant and workshop director. He conducts his practical research out of Jef Johnson’s CLOWN LAB in New York City.
Alternative Workshop Payment: write a check, payable to ARTEL and mail it to: ARTEL 6567 Santa Monica Blvd., Los Angeles, CA 90038
PRANKSTER ART PLAYSHOP:Blurring the Lines between Life and Play with Olya Petrakova
Feeling creatively sluggish lately?Inject your life with mischief.
Using Olya's Instant Creation Techniques, principles of Happenings and Improv, materials of Absurdist Literature, Zaum Poetry, artistic output of Dada, Fluxus and Punk Rock, threaded together with Monty Python's brand of antics, we will collide creative performance ideas with Impossible Timelines and Unlikely Spaces to create that irrepressible sense of mischievous anticipation, provocation and play.
Prepare to have your abs hurting from laughter, your everyday perception re-focused and sense of socially-acceptable behaviour absurdly enlarged.
Suitable for actors, writers, dancers, performers, housewives, lawyers, and personal assistants.
After a sold-out workshop production last April, ARTEL returns with Kharmful Charms of Dani Kharms - A World Premiere collaborative ensemble-devised project based on the works of Russian absurdist Daniil Kharms (1905-1942).
DATE/TIME/LOCATION: Oct 2, 6:30-8pm or Oct 3, 11-12:30. Artworks Theatre & Studios. Studio C, 6575 Santa Monica Blvd., Los Angeles, 90038. Tel. 310-985-9996.RUN: Presented at Artworks Theatre. Opens February 12, Fri-Sat 8pm (occasional Wed, Th or Sun shows) 4 weeks. Please be open to extend. (another 4 -6 weeks)
We are looking for character actors-creators, dancers, singers, puppeteers, musicians with a proclivity for comedy and absurd. Physicality, expressivity, courage to create are a must. Everyone will be required to devise solo and group work. Training in physical approaches to theatre, commedia dell'arte, clown, cabaret is a plus.
Director/Producer Debbie McMahon of Grand Guignolers, a physical theatre based company within the [via]Corpora House, is casting an ensemble of men/women to play multiple parts for
Absinthe Opium & Magic: 1920s Shanghai
Running November 21- January 3 (plan to extend) at ArtWorks Theatre. Color blind, sometimes gender blind casting. 99 Seat Equity Waiver. Submit headshot/resume to firstname.lastname@example.org for consideration. Auditions 9/2-3 and 9/5-6. See www.grandguignolers.com for additional info re audition and show. Audition includes dance, movement, group improv, some reading.
In collaboration with The Grotowksi Institute and Arden 2, [via]Corpora is proud to announce that it will be hosting workshops with Teatr Zar when they return to Los Angeles for the presentation of their Triptych at UCLA Live! presented in association with Arden 2.
Members of Teatr Zar will be leading different workshops while they are in LA in mid-November.
One will focus on their polyphonic singing technique utilizing songs primarily from Georgia and Corsica. This workshop is open to anyone interested in work with songs. We hope to see many of our friends that participated in the Karagod workshops last year!
The other workshop will be an extended session of song and physical work. These workshops will aim at discovering the creative possibilities when polyphonic song is used for ensemble building and theatrical action. The physical work will be solo and partner investigations utilizing rhythm, isolations, contact, and actor-acrobatics to discover the links between image and action.
We hope to gather a group of dedicated artists that want to experience the ensemble rigor that distinguishes Polish theatre.
The workshops are planned for Mid-November (dates and times to be announced in early Autumn). We will be posting an application for the workshops soon; however, if you are interested please contact Bryan Brown at bryan[at]viacorpora.com
April 18, 2009 8:00 PM Through May 16, 2009 8:00 PM
We are delighted to be supporting the third production of Action! Theater in our space! Action! Theaer and director Tiger Reel continue to challenge the accepted and expected and we are sure that R.U.R will not disappoint.
R.U.R. stands for Rossum's Universal Robots. Written in 1920 - R.U.R. garnered worldwide acclaim for its author and introduced the word "Robot" to the English language. Mass-produced, efficient and servile labor, Capek's robots remember everything, but lack creative thought, and the Utopian life they provide ultimately lacks meaning. When the robots revolt, killing all but one of their masters, they must attempt to learn the secret of procreation.
Working from a new adaptation by Action! Theatre Company Artistic Director, Tiger Reel, this production will highlight Capek's themes of technology's effect on society, gender and class roles and will wrestle with the question: "Are we as a race worth saving?"
As the genesis of the "Robot Revolution" scenario, R.U.R. prefigures such greats of the genre like "The Terminator", "Blade Runner", "2001: A Space Odyssey" and the re-imagined "Battlestar Galactica."
After years of investigating and ruminating on the concept of Home, we recently came across an unsent letter from Sulerzhitsky to Stanislavski of December 1915 in which he reflects on their efforts with the First Studio :
“I particularly liked the nature of the land you bought at Eupatoria for the Studio, desert-like and arid, where we would have had to work hard to construct a common home."
This link back to the tradition of Russian acting practice supports and inspires our recent decision to change a portion of our name and rewrite our mission statement. We have never felt completely comfortable with the association attached to being a Center, but we are more than a School and not at all an Institution.
We aim in fact to be a home.
And so we are pleased to announce our decision to rename ourselves[via]Corpora Performance Research and Development House!
To think is to not know how to be. -- Fernando Pessoa
Our perception is challenged constantly by the rules of organized society and daily living. The mind, body and spirit are in a perpetual tug of war with the fabric of who we think we are and who we wish to become.
In this workshop, you will be challenged to let go of fear and be free.
We are all clowns. We are all children.
Come join us and reconnect with the joy that dreams within you!
April 12, 4-9PM April 13, 6-10PM
ArtWorks Theatre 6569 Santa Monica Blvd. Hollywood 90038
Jef Johnson is a principal clown in the international touring company of Slava's Snowshow. As Clown, he has also toured with Cirque du Soleil. Jef has more than 20 years of experience working in a wide range of physical styles. His approach is rooted in subjective expression, physical expression of condition through impulse and reflex. He has studied corporeal expression from disciples of Grotowski, Suzuki, Marceau, Decroux, Lecoq, Meyerhold, M. Chekhov, Vakhtangov.He has been commissioned for Master Classes, Lectures and Workshops in Acting, Theory, Character, Mask, Creative Play, Improvisation, and Clown for numerous theatre companies and universities, including Cirque du Soleil, New York Clown Theatre Festival, Camp Broadway, Slava's Snowshow, University of Houston, University of Pennsylvania, Columbia University, University of Minnesota, Empire State College and NYU.
Propose 1. To put forward for consideration. 2. To offer. 3. To make known one's intention.
Proposition 1. A matter to be dealt with; a task.
originally, to set forth
Unleashing Creativity Pathways to engaging performance
Saturday, April 4th, 11 - 2pm, $30 [via]Corpora, 6575 Santa Monica Blvd, Hollywood 90038 Reservations email... email@example.com
There are as many ways to performance and performer training as there are performers. What is essential is the Perspective of Joy and Ease with which a performer approaches each moment of work. Through full-bodied play we will discover the pathways to engaged and engaging performance.
After three months of teaching and researching in Leeds, England, Bryan Brown returns to [via]Corpora with his particular physical approach to actor training and performance development. This new workshop will investigate both areas by focusing 1/3 of the day on the physical, vocal and rhythmic training that allows for the offering of self in spontaneous and imaginative moments and 2/3 of the day applying the experiences of the training to the development of individual Propositions.
A Proposition is an active sketch, a short structured sequence of movements and sound.
Participants should come with a proposition. If you do not have a proposition, we can still work as long as you are willing to improvise and work towards one in front of the group. (Propositions can consist of text, song, object(s), costume. Keep it simple. The details and subtlety are what we will be focusing on.) BRYAN BROWN has taught and studied extensively in New York City, Europe, and Los Angeles. He is co-creator of Artel and [via]Corpora, Performance Research and Development House. Deeply influenced by American Experimental theater and dance practitioners, Bryan has spent the last two years investigating the contemporary theater practices of Eastern European and Russian ensembles primarily through his relations with the Grotowski Institute and the Song of the Goat Theatre. Recently he was Artist-in-Residence at Hooyang Performing Arts Centre, South Korea. Besides consistent teaching in Los Angeles at [via]Corpora, Bryan has led workshops in Poland, New Orleans and NY. Currently, he teaches Performance Technique at the University of Leeds where he is a Postgraduate Research student.